War movies

The Holocaust was such a shocking atrocity—effecting far more Jews than the 6 million murdered in Nazi ovens—that it is almost impossible to communicate it meaningfully to new generations. Many outstanding movies have done their best to do so. The pictures of thousands of rotting bodies do not have the same impact as the personal stories of individuals and holocaust films have done an outstanding job of telling them. The Diary of Ann Frank introduced most of us to the Holocaust’s horrors in 1959. But “Europa Europa,” “Schindler’s List,”  “Life is Beautiful,” “The Pianist,” “Son of Saul,” among others each present poignant and original examinations of the ugliness and heart wrenching harm of antisemitism. Just this last week I was moved again by yet another approach to the story in the recent film “White Bird.”

It is important to confront such ugliness in the hopes of reducing the prospect of repeating them. Hitler convinced his countrymen (to the extent that they even knew what he was doing) that the best way to get rid of the “Jewish problem” was to get rid of the Jews. Sadly, Israel itself is propagating yet another genocide this time in Gaza, and West Bank and possible beyond, by convincing many Israelis that the only way to get rid of the “Palestinian problem” (and to have a “democratic Jewish state”) is to get rid of the Palestinians.

War presents a tougher challenge because many believe they might find glory in war. But the reality of war is ugly and tragic. Every country must defend itself against attack, but the United State has not fought a war on its own territory for over one hundred and sixty years. None the less we have been at war somewhere most of the time. Most movies about war have faithfully reflected its ugliness—not only for those killed by them but for their surviving loved ones and the wounded survivors who live on without limbs or with other impairments. But we continue to wage them most of the time.

Movies like “The Bridge on the River Kwai” (the film site of which I visited in Sri Lanka), “Lawrence of Arabia”, “Dunkirk”, and “1917”, depict the heroism in war that might seem attractive but also its ugliness. “All Quiet on the Western Front,” Paths of Glory,” “The Deer Hunter,” and “Grave of the Fireflies,” explore in greater depth the horror of war. Last night I watched the heart wrenching story of a WWII Irish solder’s return to Dunkirk many years later, which wonderfully depicts the absurdity of most wars.

So why do we fight so many of them and in far away places? Much of my work has been in war zones such as Bosnia, Afghanistan, Israel, Iraq, and Kosovo. While I have never been in the tranches, I have certainly heard gun fire. But more importantly, I have witnessed the aftermath of war and embarrassingly the bumbling incompetence of attempted American rule of conquered territories. “Warren’s travels to Afghanistan, Bosnia, Iraq, Israel, Kosovo and beyond”

But why do we so readily go to war? Perhaps because they are “over there” it is too easy to send our youth off wherever and “thank them for their service.” Unfortunately, there are also too many people who think we must flatten our enemies, ala Adolf Hitler, rather than diplomatically cultivate peaceful, get along relations with them. If American’s understood more clearly the ugliness of war, and the futility of taming neighbors via suppression or even eradication, we could have a more peaceful and prosperous world.  

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Author: Warren Coats

I specialize in advising central banks on monetary policy and the development of the capacity to formulate and implement monetary policy.  I joined the International Monetary Fund in 1975 from which I retired in 2003 as Assistant Director of the Monetary and Financial Systems Department. While at the IMF I led or participated in missions to the central banks of over twenty countries (including Afghanistan, Bosnia, Croatia, Egypt, Iraq, Israel, Kazakhstan, Kenya, Kosovo, Kyrgystan, Moldova, Serbia, Turkey, West Bank and Gaza Strip, and Zimbabwe) and was seconded as a visiting economist to the Board of Governors of the Federal Reserve System (1979-80), and to the World Bank's World Development Report team in 1989.  After retirement from the IMF I was a member of the Board of the Cayman Islands Monetary Authority from 2003-10 and of the editorial board of the Cayman Financial Review from 2010-2017.  Prior to joining the IMF I was Assistant Prof of Economics at UVa from 1970-75.  I am currently a fellow of Johns Hopkins Krieger School of Arts and Sciences, Institute for Applied Economics, Global Health, and the Study of Business Enterprise.  In March 2019 Central Banking Journal awarded me for my “Outstanding Contribution for Capacity Building.”  My recent books are One Currency for Bosnia: Creating the Central Bank of Bosnia and Herzegovina; My Travels in the Former Soviet Union; My Travels to Afghanistan; My Travels to Jerusalem; and My Travels to Baghdad. I have a BA in Economics from the UC Berkeley and a PhD in Economics from the University of Chicago. My dissertation committee was chaired by Milton Friedman and included Robert J. Gordon. I live in National Landing Va 22202

2 thoughts on “War movies”

  1. You’re certainly correct about the analogy between Hitler and the Jews and Netanyahu’s genocidal campaign against Palestinians.

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  2. Warren, thank you for sharing.  As I pondered my future and my current circumstances in Long Binh, Republic of South Viet Nam, back in 1970. I came to the realization we were not saving anyone’s country, we were the bad guys despite the army propaganda to the contrary, and Nixon could have been a real hero by negotiating with Ho while Ho still had some say, and then take the big chance that Vietnam could be a vibrant independent country if only we’d give them a chance, be they democratic, or commie. But then, what design of the table should be used? 

    Michael J. Shandony 255 Mahogany Crt.Fruita, Colorado 81521Cell:  1-970-270-0281  

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